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4CRUNCHGAIN

5BASS

6MIDDLE

7TREBLECLEAN

8TREBLECRUNCH

Gain control for the Crunch channel. This knob determines input sensitivity in Crunch

mode;useittodialinthedesiredamountofpreampdistortion.

Extremely high gain and volume levels in Crunch mode can produce

powerfulfeedback.Avoidfeedbacksqueals;theycanleadtohearinglossanddamage

speakers! At higher volumes, back off the Gain and Treble levels in order to prevent

uncheckedfeedback!

Single-coil pickups will evoke mildly overdriven sounds at settings somewhere

between 10 and 3o'clock. Try settings between 9and 1 o'clock for pickupswith high-

output humbuckers or active pickups. Bear in mind the Gain Boost function. You can

activateitvia anENGLCustomZ-9Footswitchora preprogrammedMIDIpresettoget

anevenbigger,beefiercrunchtoneonthefly.

This is the preamp voicing section's passive low-frequency EQ for Main Channel I's

CleanandCrunchmodes.

This is the preamp voicing section's passive midrange frequency EQ for Main

Channel I's Clean and Crunch modes.

This is the preamp voicing section's passive high-frequency EQ for Main Channel I's

Cleanmode.

This is the preamp voicing section's passive high-frequency EQ for Main Channel I's

Crunchmode.

Tohelpyougetacquaintedwiththepreamp'sfundamentalsounds,Irecommendthat

youset all tonecontrols toorslightly higher thanthe centeror12 o'clock position.For

higher-gain Crunch sounds, your best bet is to turn the Treble Crunch knob down to

prevent the pickups and speakers from generating feedback (a setting in the 10-to -1

o'clockrangeisrecommended).

The Cleanand Crunch channelsare equipped with dedicated Treble knobs so you can

tweak the top end of each of the two channels separately to suit your taste and the

given sonic scenario. You will find that grittier tones generally sound better with a

touch less treble because preamp saturation makes higher frequencies figure more

prominently in the signal. Bear in mind that you also have the two Normal Bright (9)

and Ultra Bright (10) buttons at your disposalfor shaping the high frequency range. I

suggest you get into the habit of dialing in lower Treble settings. That way, you can

program various MIDI presets with one or both Bright options, remotely and have

plentyoftonalvariationsatyourfingertips.

CAUTION:

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Engl 570 Betreibershandbuch Seite 7